Chapter IV

  1. Sulphides

The process of producing sulphides, or encasing molded ceramic objects in crystal, was perfected and patented in England by Apsley Pellatt in 1819. Sulphides became a popular form of glass decoration in Europe during the first half of the nineteenth century. They were, not surprisingly, the earliest form of glass paperweight. Therefore, the classic period of sulphide paperweight production (1819-1865) begins more than twenty years before the classic period of millefiori and other types of glass paperweights (1840-1865). (See also Chapter Two, Sulphides.)

Sulphides are not only found in paperweights. They appear in a variety of other glass objects: decanters, tumblers, bottles, vases, cups, pitchers, jewelry’, buttons, door knobs, seals, candlesticks, religious objects, perfumes, and plaques. The cameos within these pieces frequently commemorate a historical event, or honor noted political, artistic, or religious figures. Many sulphides, how ever, are purely decorative in nature and depict animals or landscape scenes.

Sulphides are often difficult to identify because very few pieces were signed or dated. Some pieces, however, are marked. An impressed signature on the back of a sulphide usually indicates the factory’ or the person who made the original medal or sculpture from w hich the sulphide mold w’as made. Sometimes a name inscribed in cobalt oxide is found on the back of a piece or on the front of the

4.177 Sulphide tumblers

4.177 Sulphide tumblers

cameo at the bottom of the bust. Such an inscription usually identities the person represented in the sulphide.

One of the signatures most commonly found on sulphides is that of Desprez, an artist about whom unfortunately very little is known. In the book Sulphides: The Art of Cameo Incrustation, Paul Jokel- son relates the following information about this artist:

… It is certain that Desprez, Jr., and perhaps his father before him (during the reign of Napoleon 1) had not only mastered the technique of incrustation, but did so with a perfection that his contemporaries or his successors seldom achieved. There are five different signatures which were made on the back ot the sulphides with a dry stamp. Their chronological order is not known:

  1. D. P., larger letters
  2. D. P., smaller letters
  4. DESPREZ a Paris
  5. DESPREZ Rue de Recolets No. 2 a Paris

Other sculptors and medallists whose signatures are most commonly found on sulphides include Apsley Pellatt, Pierre Honore Boudon de Saint-Amans, anil Bertrand Andrieu. Paul Jokelson’s comprehensive book Sulphides: The Art of Cameo Incrustation contains extensive information about these and other sulphide artists.

Dated sulphides are rare. A lew of the pieces positively identified are sulphides made for the 1851 Great Exhibition in London.

The presence of millefiori canes in a sulphide paperweight can greatly help in attributing the piece to a particular factory. Also, some subjects are known to have been produced by certain glass houses. In one case, lor example, both a tumbler and an identifiable Saint Louis carpet ground paperweight feature the same painted bouquet design on an oval sulphide.

Baccarat: Baccarat sulphides are set on both clear glass and colored grounds. Sometimes the cameos are surrounded by a circle of canes, but most Baccarat sulphides appear alone. There are a few very’ rare and beautiful double overlay Baccarat sulphides.

Perhaps the most prized Baccarat sulphides are a series of magnum weights with flat tops and diamond faceting. These pieces display a hunter and dog, Joan of .Arc, Queen Victoria, and the Madonna, and are set on transparent ruby, blue, or green grounds. Other reported Baccarat subjects include:

Aesculapius Chateaubriand Czar Nicholas I Descent from the cross Duke of Orleans Benjamin Franklin Alphonse de Lamartine King Louis Philippe Madonna and Child Monseigneur Affre Napoleon I Napoleon III Daniel O’Connell

4.178 Clicby sulphide of Benjamin Franklin

4.178 Clicby sulphide of Benjamin Franklin

Pope Pius IX

St. Cecilia

St. Therese

St. Vincent de Paul

George Washington

Queen Victoria and Prince Albert

Clichy: Clichy sulphides are almost always set on opaque or translucent color grounds. In some examples Clichy roses and other millefiori canes surround the cameo. Reported Clichy subjects include:

Alfred de Musset Cardinal’s Emblem Charles X Chateaubriand Comte de Chambord Czar Nicholas 1

Exhibition Building London, 1851

Emperor Maximilian of Austria

Frederick VII of Denmark

I lenry IV

Holy Family

Joan of Arc

Louis Philippe

Marguerite de Valois

Marie Antoinette

Napoleon I (in profile and full view)

Napoleon III Oscar I of Sweden Pope Pius IX Princess Eugenie St. Alexis

St. Andrew

St. Elizabeth

St. Mary Magdalene

St. Palmire

St. Rene

St. Vincent de Paul Queen Victoria Virgin and Child

Saint Louis: Saint Louis created far few er sulphides than Baccarat or Clichy. In most of the pieces produced hy this factory a ring of millefiori canes encircles the sulphide. In some rare examples a spiral torsade surrounds the cameo and a laurel wreath is included beneath the subject. One unique Saint Louis design features a three-dimensional sulphide fish on a jasper ground.

English: Sulphide subjects from English factories include:

Caroline Bonaparte Robert Burns Duke of Wellington William E. Gladstone Greek and Roman scenes John I leriot Prince Albert Queen Anne Queen Victoria

Paperweight-related Objects

Paperweight-related Objects

One thought on “Chapter IV

  1. Hi,
    Some 35 to 40 years ago my father gave me a beautiful French paperweight with accompanying paperwork, and a copy of a newspaper article showing, what he believed, was this very paperweight. Earlier this year we experienced an horrendous fire in which many priceless pieces and records went up in
    flames. I managed to
    salvage this paperweight,
    although it had obviously been hit at various points and eventually cracked in two.
    I have tried to wash off the surface to a greater or lesser degree and have taken a number of photographs.
    Could you please advise to whom I should speak to possibly get a value to claim it on my fire insurance?

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