Alison Ruzsa 2017 silhouette dancing couple overlay high-domed paperweight.
John Deacons 2018 scattered millefiori on striped cushion inside a crown overlay faceted paperweight.
Cathy Richardson 2018 "Prairie Wildflowers Bouquet" pink clusters, cattails and blue flowers paperweight.
Damon MacNaught 2018 close concentric millefiori double overlay and vitreous enamel faceted paperweight.
Ken Rosenfeld 2018 clematis, sunflower, morning glory and red raspberry bouquet paperweight.
Mike Hunter 2018 off-set close concentric millefiori and lady dancer silhouette paperweight.
Bobbi Banford snowman and tree paperweight.
Saint Louis 1988 "Ruche verte" green honeycomb paperweight.
L.H. Selman hosted a live auction in Chicago on September 17th, with bidders worldwide, online, by phone or absentee bid, selling close to 400 works of glass art originally owned by Arthur Rubloff, the Potter Palmers, Ella Grace Burdick and Lucy K. Kretchmer, and until several days ago, held in the permanent collection of the Art Institute of Chicago.
The combined hammer price for each paperweight sold by the Art Institute of Chicago will be given to the museum for the purchase of artwork. 100% of the net profits from the buyers’ premiums will be donated to the Glass Paperweight Foundation for their discretionary use to provide scholarships and purchase equipment for artists who are in need. .... READ MORE
We are pleased to bring you “The Art of The Paperweight” by Lawrence H. Selman. We are now making these important books available online, as a free service to the paperweight community, and for all the newcomers who we hope will begin to share our passion for fine glass art paperweights. Here is a brief excerpt, please read and share as you see fit.
“I admire glass paperweights primarily because they are the culmination of some 2,000 years of glassmaking artistry and experimentation. When one looks at paperweights in terms of the history of glassmaking, one realizes that there is little that makes them unique. The workmanship in a millefiori paperweight, for example, is no better than that perfected for the production of inlay plaques in ancient Alexandria... READ MORE
— by Elysabeth Alfano, Huffington Post
“Paperweights? Yes, paperweights! If you can't really envision what they are (or why), you are in luck. The Art Institute of Chicago, which houses one of the largest paperweight collections in the world, is more than doubling its permanent Rubloff Paperweight Exhibit from 341 to more than 800 paperweights. For the first time ever, the museum, which has many very rare, antique examples of the art form, will also dedicate a space to contemporary paperweights... READ MORE